Malvolios Identity In the play Twelfth Night, William Shakespeare Essay Example For Students

Malvolios Identity In the play Twelfth Night, William Shakespeare Essay In the play Twelfth Night, William Shakespeare creates a plot in which the relations are sabotaged by the characters and their disguises. Question of identity prevail in the most of the main characters in the play, like viola/Cesario, who work to achieve their goals. This gives place to a romantic tangled up comedy, where love blossoms and a structured ending occurs. The misunderstanding trickery leads to love between people who naturally are not supposed to be together i. e. Viola/Olivia unrequited love. The malice of some characters leads to the downfall of others. This produces a great deal of chaos with the emotions and social standings of characters like Maria, Olivia and Viola. For example, Malvolio an efficient, hardworking steward, who fantasizes with the idea of becoming a nobleman by marrying his mistress, Olivia. The joke played on him leads Malvolio to attempt evasion of the customary rules of the social hierarchy by pretending to be someone he is not. Malvolio is portrayed from the beginning of the play as an arrogant, disillusioned man with false self-importance. The audience gets a glimpse of his being Puritan a killjoy when he enters the room and begins to chastise the knights, even though they are higher than he is in the social scale and for that they are superior to him. He accuses them of being mad, of acting like tinkers who have no wit, manners, nor honesty. (II, iii, 87) His observations point out that he believes they are behaving like commoners and that he behaves better than they do, or so he believes. This action upsets the servant Maria who is apparently a socially equal, but he denies the fact and also belittles her. Sir Toby, Sir Andrew, Feste and Maria do not have a high opinion of Malvolio. In fact, they dislike and ridicule him terribly by reminding him that he is just a steward. They all see him as a Puritan, egoist, and hypocrite. (All this adjectives are spread throughout the play, showing that his offensive personality is in fact true). Finally the whole pack (V, I, 377) plays a practical joke on him to put him in his place where he belongs: a servant. Malvolio demonstrates his loyalty towards Olivia. The idea of marrying her, being a count and being very wealthy was just a dream that he never reacted to because it seemed very far from his grasp. When he finds the letter, he is completely overwhelmed and convinces himself that this is a very important piece of evidence of his Olivias love. He gets carried away with his dreams, and starts to take action. This gives place to very humorous dilemmas. For example when Olivia tells him to Go to bed (III, iv, 30) he interprets this as if she wanted to sleep with him. This also triggers his need and desire for social climbing, because he misinterprets when Olivia: term of fellow (III, iv, 60) as if she meant it as he socially equal fellow. Malvolios imagination had always been a very active one, but he hadnt harmed anyone with his dreams. Initially the practical joke played on him seems to be very amusing to the other characters. It is light hearted enough to cause laughter about Malvolios foolishness, without creating feeling of remorse for the embarrassing position in which Malvolio stands. Even more, the characters that planned this hoax in the play are happy because this doesnt seem to affect him in a serious manner. Malvolio comprehends that he is being mocked by other characters and offends them Go, hang yourselves all! You are idle shallow things: I am not of your element; you shall know more hereafter. (III, IV, 124) The situation changes drastically when he is accused of being possessed. He is locked in a dark room and tiring to convince him of being mad. .u9854eda3eefe17abf245f237e8848e62 , .u9854eda3eefe17abf245f237e8848e62 .postImageUrl , .u9854eda3eefe17abf245f237e8848e62 .centered-text-area { min-height: 80px; position: relative; } .u9854eda3eefe17abf245f237e8848e62 , .u9854eda3eefe17abf245f237e8848e62:hover , .u9854eda3eefe17abf245f237e8848e62:visited , .u9854eda3eefe17abf245f237e8848e62:active { border:0!important; } .u9854eda3eefe17abf245f237e8848e62 .clearfix:after { content: ""; display: table; clear: both; } .u9854eda3eefe17abf245f237e8848e62 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9854eda3eefe17abf245f237e8848e62:active , .u9854eda3eefe17abf245f237e8848e62:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9854eda3eefe17abf245f237e8848e62 .centered-text-area { width: 100%; position: relative ; } .u9854eda3eefe17abf245f237e8848e62 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9854eda3eefe17abf245f237e8848e62 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9854eda3eefe17abf245f237e8848e62 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9854eda3eefe17abf245f237e8848e62:hover .ctaButton { background-color: #34495E!important; } .u9854eda3eefe17abf245f237e8848e62 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9854eda3eefe17abf245f237e8848e62 .u9854eda3eefe17abf245f237e8848e62-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9854eda3eefe17abf245f237e8848e62:after { content: ""; display: block; clear: both; } READ: Colours in Othello EssayHis dignity is removed away in this sinister way of treating him while captive, and Malvolio becomes desperate while still denying being mad. After some time in prison, his personality changes he speaks to Feste as an equal. Good-Fool Ill requite in the highest degree I prithee. (IV, ii, 123. ) He leaves in the final scene wanting revenge from the kinsmen and servants that played the joke on him. Ill be revengd on the whole pack of you! (V, I, 377) In this play the problem of social ambition and misplaced love are resolved. Nevertheless Malvolios aspirations of becoming noble are more unreasonable than Sir Tobys of marring Maria who is socially unworthy. Malvolio finally faces the truth, and realizes that he is socially undeserving of his noble mistress, and departure. The happy socially justifiable couples come together and achieve happiness. The social hierarchy that was trued upside down during the play it is set back onto its feet.